Ruthless Knitting Archive

The Kinari cardigan continues to require a great deal of patience. As you can see here, I have finished a sleeve, and lo, it is glorious.

But the part of the picture that’s in shadow isn’t going so well. I did finish knitting the body. It took a week to do the edging: because the yarn I used for that part was somewhat thicker than what I had been using for the body but the needles were the same size, it hurt my wrists to do more than a couple of rows at a time. It really wasn’t any fun. And then when I tried the sweater on, it became clear that the edging really hadn’t worked out. I had put too many increases in, so the bottom was proportionately much wider than it had been in my sketch, and since the fabric was thick, it was also rather stiff, with the result that it more or less stood straight out from my body. Wearing it, I looked like a very fashionable pyramid.

To cheer myself up and restore my flagging confidence, I knit the sleeve. Having learned my lessons from the body, I got the edging right this time. Then I cut off the bottom 4.25" on the body and started over with skinnier yarn and larger needles. The knitting is much more enjoyable now, and it seems to be going a bit more quickly. I’m hopeful.

I’ve been slowed down some by a Secret Design Project that’s going to keep me semi-occupied for the next several weeks. I can’t tell you what I’m working on, but I can give you a hint. Here it is:

Anyone who can figure out what I’m up to from that picture gets a prize.

The Kinari cardigan has reached a tough stage. Progress seems slow, the sweater is all scrunched up on the needles, and I’m having periods of doubt about some of my decisions. Will it be too wide at the bottom? I don’t own anything swingy, maybe for good reason. Will the bright white of the buttons look okay on the unbleached white of the sweater?

I suspect that many sweater projects are abandoned at this stage, when the fantasy that propels you through the first half of the knitting starts to fade, papered over with doubts. The rows are long now, and the edges all curl under, and it’s hard to envision just how the final product will work out.

It’s been my experience that art in general hardly ever works out just the way I imagine it will. But it often works out in a different way than I could have imagined — a way that is just as good, once I’ve managed to let go of the image of the old thing and to love the new thing as it is.

So I press on, one long row at a time, because that’s the only way to find out what this sweater will be when it’s finished.

I’m someone who can’t manage to keep a white shirt long without staining it. Come to think of it, I don’t actually own a white T-shirt (long- or short-sleeved) at present, probably for this very reason. Thus, the fact that I’m designing an all-white wool cardigan should be understood as an indication that my practical side has been overruled by the Design Mind, which insists that these buttons (a Christmas gift from my father, who made them) —

 — will work best on a sweater that looks like this:

In case my scrawlings aren’t altogether clear, that’s an all-white wool sweater with elbow-length raglan sleeves knit from the top down in one piece. The body widens all the way from the cast-on edge to the bottom hem, as do the sleeves, so that the sweater is fitted at the bust and flares out gently below. The bottom 6" of the body and sleeves will be done in a texture stitch that incorporates triangle shapes to echo the shapes on the buttons. The rest of the sweater will be stockinette. All the edgings are meant to be hemmed, so there won’t be any bands or borders, just clean lines. The buttons will be placed on the upper chest and will close with some sort of fasteners fashioned out of yarn, which may or may not be red. (I think red might look nice, but I’m afraid it will bleed on the white sweater when I wash it.)

I pondered yarn possibilities for a while. My overall vision for this design is that it ought to be clean and somewhat Eastern-looking, but at first I considered some more rustic white wool yarns, because I liked the idea of a contrast between the rustic yarn and the smooth glass buttons. Peace Fleece DK (in Antarctic white) was a serious contender at this stage. Ultimately, though, I settled on Habu’s wool roving A-81 1/6. It’s an undyed laceweight yarn that’s very loosely spun, so it has a slight halo and is soft. I’m holding it double, which makes it approximately sport weight. I thought at first that I could get the whole sweater out of one skein of this yarn (about 800 yards held double), but it later became clear that at a gauge of 7 stitches and 8 rows to the inch on size 5 needles, that’s not likely to happen. I had bought the first skein from KPixie, and I found a second on sale at Purl. The undyed yarn color is listed on the label as "kinari," which is where I got the name for the sweater. I don’t know what it means, but I like the sound of it. I hope it means "undyed," or at least not something embarrassing.

For the raglan seams, I’m using a double increase that I found described in Barbara Walker’s Knitting from the Top. It’s worked by knitting into the back of the seam stitch, then knitting into the front of it, moving it off the needle, picking up the vertical bar in the row below the stitch just created with the left needle, and knitting that stitch. This technique creates a neat line with raised center stitches that look almost beaded.

Progress so far has not been rapid, and in fact the last few inches before the divide at the underarm were a real slog, with more than 350 stitches on the needles. Since I divided the body from the sleeves over the weekend, however, I’ve been moving right along.

All that stockinette is getting a bit dull, so I’ve been telling myself that I just have to do a few more inches, and then I can start the texture pattern. For that, I’d like to use this simple lozenge stitch from Barbara Walker’s first treasury.

This is the first sweater in a new collection that I’m working on. The genesis was the two sets of glass buttons that my dad made me for Christmas. I had started thinking of designs to use these buttons, and then I remembered that I have some fantastic green glass buttons that I’d also like to design a sweater around. And then I remembered that I want to design something for the lovely purple buttons I bought from Earthenwood Studio that didn’t work for my Middlebury cardigan. And I also have a whole bunch of vintage mother-of-pearl buttons from an antique shop in New York that I want to use in a Habu sweater for my sister-in-law. Before I knew it, I had five different sweaters in mind and realized that the Button Collection had begun to take shape entirely of its own accord. Who am I to buck fate?

I haven’t entirely closed the books on the Fall/Winter 2007 Collection, because there’s a stranded design I would still like to do, but my knitterly instincts are telling me to let that marinate a while longer. So it’s on to buttons!

I wrote a long post earlier that I lost by accident. Then I went downstairs to run on the treadmill only to discover that the DVD of Heroes I just got from Netflix is the exact same DVD of Heroes that I finished watching and returned last week. Feeling a little cursed, I decided to take the blog in a whole new direction.

But first, a quick knitting status report: I finished up the Tokyo top on Sunday morning and wove in all the ends. It’s fab. I’ll try to take pictures and get a finished object post up sometime in the next few days. Meanwhile, you may have noticed a new sweater project listed over there on the sidebar. It may be the first sweater in a new sweater collection. I’m actually not quite done yet with the Ruthless Knitting Fall/Winter 2007 collection, but I need some time to plan the (rather complicated) sixth and final sweater. And before I knit a stitch on it or on the new collection, I’m going to finish up the second Bird in Hand mitten, which I should have made in December.

Let me delay my revelation still further to point you in the direction of Whatifknits. Sarah-Hope is having a raffle for her one-year blogiversary to benefit animal welfare and protection groups. She’s giving away some fabulous prizes, including a beautiful hand-knit Swallowtail Shawl. Have a peek at her website for details.

So. I was thinking today about websites that I enjoy, and I really do love the ones that include some cooking. Faith of The Knitting Cook posts recipes often, and so does Ysolda, and DesiKnitter. I love to cook, but I don’t particularly like reading about cooking at any length, so I am always pleased when cooking guest stars on knitting blogs. Perhaps five parts knitting + one part cooking = the perfect blog?

In order to investigate this possibility further, I give you a tortilla recipe. I’ve only been making tortillas for a few months, but I am a total convert. Fresh tortillas are relatively easy to make (particularly if you are someone who makes bread regularly), they taste fantastic, they don’t contain any of the freakish ingredients that appear in Azteca "tortillas" and other store brands, and the leftovers make killer huevos rancheros. The recipe I use is from Madhur Jaffrey’s World Vegetarian, which is my favorite cookbook.

Wheat Tortillas

2 c. all-purpose flour [I use King Arthur bread flour]

1/2 tsp. salt

2 Tbsp. vegetable oil (I use olive oil)

warm water

Sift the flour and salt into a bowl. [I am actually too lazy to sift.] Add the oil and rub it into the flour as evenly as possible. Begin to add very warm water slowly, gathering the dough into a ball. You will need about 1/2 cup or a bit more. Knead the ball for about 10 minutes. [Don’t skimp on this part. It’s the only difficult part of the whole recipe.] Now divide it into 8 even portions and make 8 balls from them. Flatten the balls into patties. Put the patties on a large platter or baking tray and cover with a dampened towel or plastic wrap. Set aside for 30 minutes or more.

Set a cast-iron frying pan or griddle on medium-high heat. Allow it to heat up.

Take a ball of dough and dust it lightly in flour. Now roll it out into a 7-inch round on a floured surface. Lift up the tortilla and slap it back and forth between your palms to shake off the extra flour. [I don’t do this, since there is never any excess flour on mine by this point.] Slap the tortilla onto the hot griddle. Let it cook for 45 seconds. It will puff up. Turn it over and cook the second side for another 35 to 45 seconds. Put the cooked tortilla on a plate and cover it with a towel or another upturned plate. Make all the tortillas this way, making sure to wipe off the cast-iron pan with a paper towel after each tortilla is made. [I never wipe off the pan.] If it takes you a while to roll out the next tortilla, turn the heat under the cast-iron pan down to low while you roll it and then turn it up again. [You can easily roll out each tortilla while the previous tortilla cooks.]

I cook the leftover tortillas in a skillet with a little olive oil and whatever toppings I want. You can also reheat them in the oven.

Every now and then, I swatch something that doesn’t work out, but I want to keep a record of what I did and spread the swatch love with others. Thus, my first Swatch Feature is born!

The twin rib pattern is taken from Barbara Walker’s second stitch treasury. It’s basically a 3×3 ribbing with a garter column in the center of each set of three stitches. Like mistake rib, both sides are identical, making this pattern a nice choice for edgings whose wrong sides are likely to show. A garment or edging knit in twin rib won’t curl, but neither is it likely to lie flat. Instead, the pattern produces a softly fluted fabric.

To work twin rib, cast on a multiple of 6 stitches and then K3, P3 on the right side and K1, P1 on the wrong side. I used a size 6 needle and yarn that probably falls on the light side of DK.

While the result here is a bit fussier than what I want for the sweater I’m planning, I think twin rib would make a lovely edging for a feminine cardigan in a nice smooth yarn, perhaps combined with an all-over eyelet pattern on the body.

I finished the first half of the Tokyo top on Friday and got it blocked. As the end approached, I grew increasingly concerned about the size: I had calculated that the top was going to grow quite a bit when I blocked it, since that’s what my swatches had done, but the finished piece was so small that I became convinced it was too small. I even came up with a plan to add side panels to make it larger. But then when I blocked it, it grew a lot, and it came out just the right size. 

Sometimes, it’s hard to trust the voice of experience. 

Here’s what it looked like when I draped it across my torso and took a picture of myself in my dimly-lit yellow guest bathroom.

I think I’m on the right track. The only bad news — and it seems like bad only to me, I suppose — is that this is taking a lot less yarn than I would have thought, so I will have a full ball of Tokyo left when I finish it. I like this yarn a lot, but when I’m done with this top, I’m done with the yarn. I don’t want to have to make something else with it. I feel a contest coming on!

Oh, and I upgraded Wordpress over the weekend. There’s a bug that’s giving me some trouble, but I think everything is working now. Let me know if you see any problems. Sigh.